How To Make A Good Drone Film.
Drones. We all got drones. Everybody is doing the drone thing, amarite? I mean there is even a Drone Film Festival in NYC (which I’m a judge of;) so lemme tell ya when I say drone vids are a dime a dozen, they are.
So, how do you make a good one? How do you make one that stands out? One that people actually watch, and dare I say it, share?
Well, here are a few tips I use when making my vids, and things I look for in other flyer’s vids. Just some armchair advice, and you can’t beat the price.
- Shoot it right.
This should be a no brainer but like cooking or construction if you use crap material, you get a crap product. So what do I mean “shoot it right”? Here’s a few things to think about while flying:
- Fly steady. Do long sweeping moves. Try to ease in and out of panning shots. This is where the skill is in flying.
- Know what you’re shooting at. Flying into the sun can be cool, but it usually isn’t. Be aware of propeller shadow hitting your lens (e.g. don’t fly 45 degrees to the sun)
- Use a ND filter. This will slow down your shutter, and keep your footage more cinematic. Don’t have a ND filter? You can tape a piece of exposed 35mm film over the front of your lens. That one’s for free.
- Be interesting. Sure you can go high, but the best drone footage has movement. If you are ballsy enough fly through something (safely people) or easier, set up a shot where you fly sideways across something, e.g. a wall, coastline or even a fence, you’ll get a cool shot.
- Set your camera up right. Many of you have seen my post on the “best” settings for drone footage. Don’t be afraid to experiment. Also, I always opt for more resolution over frame rate. It will give you more latitude in post bringing me to my second point:
2. Dress up your footage.
Sure, you can upload your entire clip to YouTube and let it rot there with the millions of others, or, you can do some dress up in post. Don’t be afraid of post, frankly it’s more fun then flying sometimes, and will make the difference between amateur footage and pro footage. Here’s some tips:
- Cut it down. Then cut it down some more. Then cut it down, once again. Drone videos don’t need to be over 2 minutes ever. 30 seconds is actually totally appropriate. Short and sweet is the best rule of thumb here, choose your best moments, and get out.
- Think story. I know you’re just shooting a field, or the ocean, or a strip mall, but build a story. Could be anything; start low and go high. Maybe try alternating closer shots with wider shots. Build a story, like you are leading a viewer on a ride. I alway re-order my clips (that’s editing;) so that they tell a story, abstract as it may seem.
- Think backwards. Don’t be afraid to reverse your footage. 80% of the time I will have my shots playback in reverse, reason being is because with most drones, especially Phantoms, you can fly backwards faster and without the props getting in the shot. Reverse this and you look like Ice Man from Top Gun. Just make sure there are no people, or waves in the shots, or it might look a little weird.
- Get weird with it. I know I just said be careful not to get weird with it, but I definitely want you to get weird. 99% of all drone films are just beautiful footage from the sky. Thats cool. Sometimes it’s real refreshing to see something new, weird, and edgy. Mix in B roll, stuff on the ground, handheld. Turn the image upside-down, that will make your head spin. Stand out footage will make you stand out.
- Color Correct and Optical Correct always. Your footage isn’t really done when it comes out of the camera, it’s half done. If you can, shoot “flat” or “protune” to have latitude in post to color correct. Massage your contrast, grade your film, and give it a look. I guarantee you will make it 100 times better. Another great thing to do is optically correct the footage. Most footage coming out of the camera will have a pretty noticeable fish-eye on it. It will look like you shot it through a hotel door. Most programs, like After Effects, have a “optical correct” plugin that you can slap on your footage. Here’s a good tutorial that I every time without fail. Pro Tip: click the “optimal Pixel” checkbox. It will “bow” the top and bottom of your footage. Then just change your frame/canvas size to crop the image. This will give you the most resolution and a nice letterbox.
I can’t stress this one enough. Good music makes good footage. Music is so important to film in general, but it goes triple for drone footage. A sweeping orchestral piece will elevate and give your film gravitas. Something electronic and modern will give it an edgy feel. Depending on what you want your film to be, music is the vehicle to get you there. You can use a famous song, but beware, some sites may not let you post it. Or you can go to a site like pond5 to get some cheap tracks that can be used anywhere. Even finding something at freesound.org can get you on the right track, so to speak.
Here is a little side by side of ungraded and graded footage:
And here is the final film with music:
that’s it really, three solid rules to follow when thinking about drone films. This is a special genre of film and relatively still new, so there is lots of room to bend and break these “rules” but I guarantee if you are at least thinking about them, you’re going to have a better end result. If you don’t I’ll be happy to refund your money.
Roberto Serrini is a NYC based commercial director, editor, and avid drone operator. His work can be seen at www.robertoserrini.com